Cody Casey
Audio panning in Premiere Pro is a powerful tool that can elevate your video projects by allowing you to control the distribution of sound across the left and right channels of your audio track. This technique, pioneered by The Beatles in the 1960s, adds depth and dimension to your audio, creating a dynamic and immersive listening experience for your audience. By experimenting with the panning controls in Premiere Pro, you can move the audio from one ear to another, focus attention on specific elements, and enhance your storytelling through sound. This guide will teach you how to pan audio in Premiere Pro, providing step-by-step instructions to master this technique and take your video editing skills to the next level.
| Characteristics | Values |
|---|---|
| Software | Premiere Pro CC |
| Use | Control the distribution of sound across the left and right channels of your audio track |
| Function | Move the audio from one ear to another |
| Benefits | Create a dynamic sound experience, add depth and dimension to music |
| Controls | L and R, representing the left and right channels |
| Output | All audio tracks output to the sequence master audio track by default |
| Submix tracks | Can output audio from any track to a submix track and then to a Master Track |
| Channels | Can send 80% of the signal from a monaural audio track to the left channel of a stereo submix track and 20% to the right channel |
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What You'll Learn
Using the panner tool
Panning audio in Premiere Pro allows you to control the distribution of sound across the left and right channels of your audio track. This can be used to create a sense of movement or directionality in your audio or to focus the listener's attention on a specific element.
To start panning your audio, first, open your project in Premiere Pro and locate the audio track you want to pan. In your timeline, find the audio track you want to work with. You will notice two key elements labelled 'L' and 'R', representing the left and right channels. By default, your audio is set to control the volume levels.
To change this to panning, right-click on the audio track and select 'Show Clip Keyframes'. Then, choose 'Panner' and 'Balance'. This switches the control from volume to panning. With the panning control activated, you can now use the Pen Tool (or press 'P' on your keyboard) to create keyframes.
While panning can be a great tool, it's important to maintain a balanced soundscape. Avoid overusing it, as it can become disorienting or distracting. The key to effective audio panning is experimentation and subtlety.
Additionally, you can create submix tracks and output audio from any track to these submix tracks. You can then output audio from a submix track to a Master Track. Different tracks in the same sequence can have different numbers of channels. For example, you can send the output from a monaural audio track to a stereo submix track and then send the output from the stereo submix track to a 5.1-channel Master Track.
In the Audio Track Mixer, a Left/Right Pan dial appears in a track only when you select a stereo track as the output. A 5.1 Panner control appears when you select a 5.1-channel track as the output. The relationship between the number of channels in an audio track and the number of channels in the output track determines whether the pan and balance options are available.
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Audio mixer settings
Audio panning in Premiere Pro allows you to control the distribution of sound across the left and right channels of your audio track. This can be used to create a sense of movement or directionality in your audio or to focus the listener's attention on a specific element.
To access the panning controls, open your project in Premiere Pro and locate the audio track you want to work with in the timeline. By default, your audio is set to control the volume levels. You will see two key elements labelled 'L' and 'R', representing the left and right channels.
The Audio Track Mixer in Premiere Pro allows you to control the entire track, which can be beneficial when you need to make big changes that affect the entire track. It represents the tracks in the active sequence only, not all project-wide tracks. Each vertical column in the Audio Track Mixer corresponds to an audio track in the timeline of the active sequence.
When a mono or stereo track outputs to a stereo track, a round knob appears in the Audio Track Mixer. You can rotate this knob to pan or balance the audio between the left and right output track channels.
When a mono or stereo track outputs to a 5.1 surround track, a square tray appears. This tray depicts the two-dimensional audio field created by 5.1 surround audio. You can slide a puck within the tray to pan or balance audio among the five speakers, which are represented by pockets around the edge of the tray.
Additionally, the Audio Track Mixer has its own automation mode that is set to 'Read' by default. There are five different automation modes: Off, Read, Write, Latch, and Touch. These modes determine how adjustments are made and recorded during playback.
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Stereo submix tracks
A submix is an audio track that combines audio signals and routes them to your master track. Submixes can be mono, stereo, or 5.1 surround. They are useful when you want to apply the same audio or effect settings to multiple audio tracks simultaneously.
To create a submix in Premiere Pro, you can go to Sequence > Add Tracks. You can also right-click in the track header and select "Add Audio Submix Track". In the Audio Track Mixer, you can select the submix name from the track output menu at the bottom of the track. Each track contains five sends, which are used to route a track's signal to a submix track for effects processing. The level knob controls the ratio of the send track volume to the submix volume, known as the wet/dry ratio.
Submixes are different from audio tracks in that they cannot contain clips, so you cannot record directly to them. They do not have recording or device input options or clip editing properties. In the Audio Track Mixer, submixes have a darker background than other tracks. In a Timeline panel, they do not have a Toggle Track Output or Display Style icon.
Submixes can be used to speed up your workflow by allowing you to apply effects to multiple tracks at once, rather than to each individual clip or track. They can also be used to create a send/return arrangement with an effects submix. For example, you can route the output from a monaural audio track to a stereo submix track, and then send the output from the stereo submix track to a 5.1-channel Master Track.
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Mono vs stereo
Mono and stereo sound are two different audio formats that serve distinct purposes and offer unique listening experiences.
Mono, or monophonic sound, is a single-channel audio format where all the instruments and vocals are mixed into one signal. It is intended to be heard as if the sound is emanating from one position, creating a narrow soundstage. Mono sound can often sound flatter and less detailed, particularly when listening to music, which is typically recorded and mixed in stereo. It is most commonly used for voice recordings, such as podcasts, AM radio, or phone and video calls, due to its effectiveness in reducing background noise and capturing voices clearly and naturally. Mono sound is also better suited for background music and when using multiple speakers covering a large area. Additionally, many wireless speakers and sound bars are mono, so mixes should translate well on these devices.
Stereo sound, on the other hand, uses two audio channels: the left and the right. By separating instruments and vocals into different channels, each element has more "space to shine" and sounds clearer. Stereo offers a sense of depth and directionality, enhancing the emotional power of sound. It is the standard format for music, movies, TV, and video games as it provides a more immersive listening experience. Stereo was particularly revolutionary in the late 1950s and 1960s, with artists like The Beatles experimenting extensively with audio panning, placing vocals and instruments in separate channels to create a distinctive and immersive listening experience.
When it comes to panning audio in Premiere Pro, you have the ability to control the distribution of sound across the left and right channels of your audio track. This allows you to create a sense of movement and directionality, enhancing the overall storytelling of your project. However, it is important to note that panning is not available when both the audio track and the output track are mono or when both are 5.1 surround.
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Premiere Pro CC
Audio panning in Premiere Pro CC is a powerful tool that can elevate your video projects. It allows you to control the distribution of sound across the left and right channels of your audio track, creating a dynamic sound experience for your viewers.
To get started with audio panning in Premiere Pro CC, first, open your project in Premiere Pro and locate the audio track you want to pan. You can use Premiere Pro's panning controls to move the audio from one ear to another, creating a sense of movement or directionality. The default setting has your audio controlling the volume levels, with the left and right channels labelled as 'L' and 'R'.
To begin panning your audio, activate the panning control. Then, use the Pen Tool or press 'P' on your keyboard to create keyframes. These keyframes dictate how the audio moves between the left and right channels. For instance, if you want the sound to start in the left channel and move to the right, place a keyframe at the beginning of the track and drag it upwards towards the left channel. Then, place another keyframe where you want the sound to shift to the right channel and drag it downwards. You can adjust the length and intensity of the transition by moving the keyframes closer together or further apart.
Additionally, Premiere Pro CC allows you to work with dual-channel mono clips, where you can have separate control over each channel. You can also output a mono track to a stereo or 5.1 surround track and pan it accordingly. The Audio Track Mixer provides controls for panning and balancing, allowing you to rotate a knob to pan or balance audio between the left and right output track channels.
By experimenting with audio panning in Premiere Pro CC, you can enhance your storytelling and create an immersive audio-visual experience.
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Frequently asked questions
Audio panning in Premiere Pro allows you to control the distribution of sound across the left and right channels of your audio track, creating a dynamic and immersive listening experience.
First, open your project in Premiere Pro and locate the audio track you want to pan. In your timeline, find the audio track and access the panning controls. You'll see two key elements labelled 'L' and 'R', representing the left and right channels. By default, your audio is set to control the volume levels, but you can now start experimenting with panning your audio left or right.
Yes, right-click on the audio track and select "audio channels". Change the settings so that the best channel goes to both the left and right channels.
You can pan one clip left, then select all the clips on the odd tracks and paste the panning attribute. Repeat this process for the even-numbered tracks.
Panning involves moving audio from one output channel to another over time. Balancing, on the other hand, involves adjusting the levels of audio sent to different output channels. For example, you can send 80% of the signal to the left channel and 20% to the right.
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