Cody Casey
Automating panning in FL Studio Omnisphere can be a tricky process. While FL Studio plugins make it easy to automate parameters by right-clicking and creating an automation curve, third-party VSTs like Omnisphere may not always support automation in the same way. Some users have suggested duplicating tracks and panning them differently, or using a modular synth like MUX to split notes and route them to different mixer channels. Another method is to load the same patch into a multi in Omnisphere and pan them differently, allowing for up to 8 unique pan positions. However, it's important to note that not all features may be supported by third-party plugins, and some users have reported challenges with automating certain parameters in Omnisphere.
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What You'll Learn
Automating the panning knob on the channel
Another method is to use the MUX modular synth, which has a 'note splitter' operator. Route the MIDI input to the note splitter device, and then route each note output accordingly. For example, route C, D, and E to one instance of your VSTi, and the rest of the notes to another instance. On the output of the VSTi, you will have the audio, which can then be routed to a mixer panned left or right.
A third method is to load the same patch into a multi in Omnisphere, panning them differently. Change the note channel in your DAW to target the specific patch panning. Omnisphere can load up to eight patches at once, so that's how many unique pan positions you can have using this method. If you automate or modulate the pan positions for each patch, you can round-robin them and have up to eight notes playing in unique pan positions simultaneously.
Additionally, some users have suggested right-clicking on the knob and enabling "host automation" to create an automation clip. However, this method may not always work, as some third-party VSTs do not support automation.
It is worth noting that FL Studio's native plugins can utilize all the piano roll features like extra note parameters (panning, fine pitch, etc.), while third-party plugins are limited to what's in the MIDI spec.
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Using velocity to map panning in synth
Automating panning in FL Studio's Omnisphere can be done by loading the same patch into a multi and panning them differently. You can then change the note channel in your DAW to target the specific patch panning.
Now, to use velocity to map panning in a synth, you need to first check if your synthesizer supports this feature. Many synths do, either directly for certain parameters or through a modulation matrix. You can check the manual for your synth to see if it supports MIDI control.
If your synth does support this, you can map velocity to different parameters. For example, in Sylenth, you can choose velocity under "MISC 1" or "MISC 2" and then assign the change in velocity to parameters such as pan, phase, volume, pitch, and filter parameters. In Ableton's Operator, you can set the velocity to modulate the volume of operator C, allowing you to change the FM texture of a sound.
Additionally, you can use a DAW MIDI plugin to map note number to velocity, allowing you to retemper your synth to have a good range up and down the keyboard. This is useful because human hearing is not linear, and low notes need to be several times louder than treble notes to be audible in a chord.
If you are using a new synth and changing the velocity in a pattern does not affect the volume of the notes, you can try to find a velocity parameter to link to something like volume or a filter cutoff. Once you have done this internal linking, your MIDI velocity changes in the Piano Roll will be linked to something in the synth.
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Using multiple instances of the softsynth
Firstly, understand that each new instance of Omnisphere will consume some memory RAM from your device. This is because each instance of Omnisphere launches a new engine, so two instances will use twice as much memory as one. This can quickly add up, so it's important to keep the number of instances relatively low if possible.
To automate panning, you can duplicate the track you are working on and pan the new duplicate to the left. Then, delete all the "right" notes from this duplicate. Next, pan the original track to the right. This will result in two tracks, one with all the "right" notes and the other with all the "left" notes.
Alternatively, you can load the same patch into a multi and pan them differently. By changing the note channel in your DAW, you can target specific patch panning. Omnisphere supports loading up to eight patches at once, giving you eight unique pan positions. You can further automate and modulate these pan positions to have up to eight notes playing in distinct pan positions simultaneously.
Another method is to create two tracks, one panned left and the other panned right. You can then route your MIDI input through a note splitter device, which will allow you to route each note output as desired. For example, you can route C, D, and E notes to one instance of your VSTi and the remaining notes to another instance. Finally, you can route the audio output of each VSTi to a mixer, with one mixer panned left and the other panned right.
Using multiple instances of Omnisphere can be a powerful tool for automating panning in FL Studio. However, it is important to manage your CPU and RAM usage to avoid performance issues. One way to do this is by using Sample Thinning, which allows you to load Soundsources, Patches, and Multis with fewer samples, reducing system memory usage. Additionally, turning off unnecessary features, such as reducing polyphony and amplitude envelope release, can help optimize CPU usage.
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Creating two tracks, one for left and one for right panning
To create two tracks, one for left and one for right panning, you can duplicate the track you are working on and then pan the new duplicate to the left. Delete all the "right" notes from this duplicate. Then, take the original track and pan it to the right. This will result in two tracks, one with all the "right" notes and one with all the "left" notes.
Another method is to use a modular synth like MUX, which can load other synths and has a 'note splitter' operator. You can route your MIDI input to the note splitter device and then route each note output as desired. For example, you can route C, D, and E to one instance of your VSTi and the rest of the notes to another instance. On the output of the VSTi, you can route the audio from one instance to a mixer panned left and the audio from the other instance to a mixer panned right.
Additionally, you can use the stereo separation knob in the mixer to achieve a similar effect. By turning the knob to 100% stereo separation, you can widen the soundstage, or by turning it to -100%, you can make the track element mono, which can then still be panned left or right. Alternatively, you can use a stereo imaging plugin like Fruity Stereo Shaper or iZotope Ozone Imager 2 to achieve the desired panning effect without phase cancellation issues.
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Using a modular synth like MUX
If you're looking to automate panning in FL Studio Omnisphere, a modular synth like MUX can be a great solution. MUX is a powerful modular synth that allows you to load other synths within it and offers a wide range of operators to work with. Here's a step-by-step guide on how to use MUX to automate panning in FL Studio Omnisphere:
To start, route your MIDI input to the note splitter device in MUX. The note splitter will allow you to output each note individually, giving you precise control over the panning for each note. You can then route each note output to different instances of your VSTi. For example, you can route C, D, and E notes to one instance and the rest of the notes to another instance.
Once you have your note outputs routed, it's time to set up the panning. Go to the output of your VSTi and route the audio from one instance to a mixer panned left, and the audio from the other instance to a mixer panned right. This will give you a stereo image with notes panned accordingly.
MUX also offers modulation capabilities with its built-in LFO operator. You can use this to modulate various parameters within your synth chain, adding dynamic movement to your sounds. Experiment with different modulation destinations to create interesting and complex panning effects.
Keep in mind that while MUX provides a powerful solution for automating panning in FL Studio Omnisphere, it may require some initial setup and familiarization with its interface and workflow. However, once you get the hang of it, you'll have a versatile tool for creating dynamic and immersive panning effects in your productions.
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Frequently asked questions
To automate panning in FL Studio Omnisphere, you can try the following:
- Duplicate the track, pan the new track left, and delete all the "right" notes. Then pan the original track right.
- Load the same patch into a multi and pan them differently. Change the note channel in your DAW to target the specific patch panning.
- Use a modular synth like MUX, which has a 'note splitter' operator. Route your MIDI input to the note splitter, then route each note output as desired.
- Right-click the knob you want to automate and enable "host automation". Then click "Tools", "Last Tweaked", and "Create automation clip".
Some users have reported issues with automating panning in Omnisphere, such as the automation not being linked to the knob or the desired effect not being achieved. It is also noted that many third-party VSTs do not support MIDI pan (CC8 and CC10).
To enable note panning in Omnisphere, you can try using the ""multi-link to controller" button. Right-click this button and then click "create automation clip". If this does not work, it may be impossible to automate the VST.
One workaround is to create two tracks, one panned left and one panned right. However, this method may make writing more difficult.
