Marianne Martinez
Adobe Premiere Pro is a powerful video editing software that offers a range of features for both video and audio editing. One such feature is audio panning, which allows editors to move audio from one ear to another, creating a dynamic and immersive listening experience for the audience. This technique was popularised by The Beatles in the 1960s, who, along with producer George Martin, experimented with panning by placing vocals and instruments in separate channels. In Premiere Pro, audio panning is achieved by accessing the panning controls in the timeline and adjusting the left and right channels. Editors can also create submix tracks and balance audio in addition to panning, allowing for a more sophisticated audio-visual experience.
| Characteristics | Values |
|---|---|
| Panning audio in Premiere Pro | Allows you to move audio from one ear to another, creating a dynamic sound experience for your audience |
| Panning and balancing in Premiere Pro | Use the Audio Mixer to balance and pan audio for stereo and 5.1 in your projects |
| Default audio track output | All audio tracks output to the sequence master audio track by default |
| Creating submix tracks | You can create submix tracks and output audio from any track to these submix tracks |
| Outputting audio to Master Track | You can output audio from a submix track to a Master Track |
| Inputting audio to submix or Master Track | You can use an audio track as an input for a submix track or for the Master Track |
| Channels in submix tracks | The number of channels in a submix track affects the pan or balance controls available in tracks that output to it |
| Channels in output submix track | The number of channels in the output submix track determines whether panning or balancing is available for that track |
| Panning controls | Access the panning controls in your timeline to start panning your audio |
| Audio channels | Control the movement of sound between the left and right audio channels |
| Panning in Program window | Use the "H" key or the Hand tool to pan around in the Program window |
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What You'll Learn
Using the Audio Mixer
The Audio Track Mixer in Adobe Premiere Pro is an excellent tool to gain control over your sounds and create a professional-sounding project. It is one of the simplest ways to work with audio in Premiere Pro, allowing you to manage and customise your sounds, see the volume and base of each individual track in real time, and set when tracks come in and fade out.
To open the Audio Track Mixer, click Windows > Audio Track Mixer. Each Audio Track Mixer track corresponds to a track in the timeline of the active sequence. When you add a new audio track to the Timeline, a new track is created in the Audio Track Mixer. You can use the Show/Hide Tracks command in the Audio Track Mixer menu to display only the information you want to see and save screen space.
The Audio Track Mixer has its own automation mode that is set to Read by default. There are five different automation modes: Off, Read, Write, Latch, and Touch. These modes allow you to control how adjustments are made and recorded during playback.
You can use the Audio Track Mixer to adjust audio levels, control the panning on tracks, and add effects. Effects on each track can be stacked and rearranged using drag and drop. Premiere Pro also allows you to copy an entire track's effects and paste them to a different track.
Additionally, you can measure the loudness of a sequence in Premiere Pro by using the Loudness Radar in conjunction with the Audio Track Mixer. This helps you ensure that your audio levels are within the desired range for broadcast or online standards.
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Stereo and 5.1 surround tracks
To change your audio settings to a 5.1 surround track, navigate to "New Item > Sequence", and a new window will pop up. In the "New Sequence" window, click on the Tracks tab and select the box next to "Master". Here, you can change your settings to 5.1, which will add three new tracks. You can add three more tracks by hitting the "+" button, and all tracks should be set to "Standard". Name your 5.1 audio tracks as Left Front, Middle Front, Right Front, Left Rear, Right Rear, and Sub.
When working with stereo and 5.1 surround tracks, you can adjust the volume and pan/balance settings of audio tracks. The Audio Track Mixer provides controls for panning and balancing. When outputting a mono track to a stereo or 5.1 surround track, you can pan it. A round knob appears when panning and balancing a mono or stereo track that outputs to a stereo track, and you rotate the knob to adjust the audio between the left and right output track channels. When outputting to a 5.1 surround track, a square tray appears, with a puck that you can slide to pan or balance audio among the five speakers.
Premiere Pro also allows you to remap the output channels or tracks for a clip's audio channels. For example, you can remap the left channel audio in a stereo clip to output to the right channel. You can also apply audio effects differently to the individual channels in a stereo or 5.1 surround clip. When creating a 5.1 surround mix, you can upmix from stereo for music in the rear channels. However, it is recommended to keep the score in stereo. SFX/Walla can be used in all four channels, but the centre channel should be reserved for dialogue.
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Submix tracks
To create a submix track, you can right-click or control-click the Track Header and select "Add Audio Submix Track" from the context menu. Alternatively, you can go to the Sequence Menu in the top menu bar, select "Add Tracks," and specify the number of submix tracks in the "Audio Submix Tracks" section. You can also access the Audio Track Mixer by clicking the small arrow button under the Effects menu, where you can choose the type of submix track you want to create (mono, stereo, or 5.1 surround).
Once your submix track is created, you can route or send the desired audio tracks to it. You can do this by going to the Track Output/Send Assignment menu in the Audio Track Mixer and selecting the submix as the output. The submix itself is typically set to output to the Master Track. By sending multiple audio tracks to a submix, you can then apply effects to the submix, which will be applied to all the tracks routed to it. This allows for more nuanced effects and a more natural sound to your audio.
It's important to note that submix tracks cannot contain clips, so you cannot record directly to them. They also do not have the same recording or device input options as regular audio tracks. The Audio Track Mixer provides controls for panning and balancing your audio. When working with submix tracks, the number of channels in the submix track will affect the pan or balance controls available in the tracks outputting to it. For example, you can send 80% of the signal from a monaural audio track to the left channel of a stereo submix track and 20% to the right channel, achieving a balanced stereo output.
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Panning controls
To access the panning controls in Premiere Pro, first, open your project and locate the audio track you want to pan in the timeline. You will see two key elements labelled 'L' and 'R', representing the left and right channels. By default, your audio is set to control the volume levels.
When you output a mono track to a stereo or 5.1 surround track, you can pan it. Similarly, when you output a stereo track to a stereo or 5.1 surround track, you can balance it. Premiere Pro will downmix the audio to match the number of channels in the output track.
The master audio track is the default output track, but a sequence can also include submix tracks. You can output audio from any track to a submix track, and then from the submix track to the Master Track. This gives you a lot of flexibility in routing your audio.
The labels next to the Direct Output Assignment button show which Master track channel Premiere Pro has automatically assigned to the initial tracks. You can click this button to change the assignments if needed.
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Audio track experimentation
Audio Track Mixer:
The Audio Track Mixer is a powerful tool in Premiere Pro that allows you to edit audio tracks and create professional-sounding projects. It gives you control over individual audio clips within each track, enabling you to adjust volume, apply effects, and more. To access the Audio Track Mixer, go to "Windows > Audio Track Mixer" in the Premiere Pro interface.
Standard and Adaptive Tracks:
Premiere Pro offers Standard and Adaptive audio tracks. Standard tracks can handle both mono and stereo audio, allowing you to use footage with different audio types on the same track. Adaptive tracks, on the other hand, are designed to manage multichannel mono audio. You can choose the appropriate track type based on your media and audio requirements.
Panning and Balancing:
Panning and balancing are essential techniques in Premiere Pro. When you output a mono track to a stereo or 5.1 surround track, you can pan it to position the audio in the stereo field. Balancing, on the other hand, is applicable when outputting a stereo track to another stereo or 5.1 surround track. Keep in mind that panning and balancing are not available when both the input and output tracks are mono or 5.1 surround.
Submix Tracks:
Premiere Pro allows you to create submix tracks, which serve as intermediary destinations for audio routing. You can output audio from any track to a submix track and then route it to the Master Track. This provides flexibility in managing complex audio setups and applying effects to groups of tracks.
Effects and Automation:
Premiere Pro offers a range of audio effects, such as EQ, reverb, and compression, which can be applied to entire tracks or individual clips. These effects can be customized and combined to enhance the audio. Additionally, Premiere Pro's automation modes in the Audio Track Mixer allow you to set parameters that adjust themselves over time, providing dynamic control during playback.
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Frequently asked questions
First, open your project in Premiere Pro and locate the audio track you want to pan. In your timeline, find the audio track and notice the two key elements labelled ‘L’ and ‘R’, representing the left and right channels. By default, your audio is set to control the volume levels. When you output a mono track to a stereo or 5.1 surround track, you can pan it.
Experimentation and subtlety are key to effective audio panning. Premiere Pro also allows you to create submix tracks and output audio from any track to these submix tracks. You can then output audio from a submix track to a Master Track.
The "H" button is the best way to pan in the Program window.
