
Audio panning in Premiere Pro allows you to control the distribution of sound across the left and right channels of your audio track. This can be used to create a sense of movement or directionality in your audio or to focus the listener's attention on a specific element. To start panning your audio, you need to access the panning controls in your timeline and find the audio track you want to work with. You can then click Track: Volume at the top left of the track and choose Panner > Balance or Panner > Pan from the menu. Additionally, you can output a mono track to a stereo or 5.1 surround track and pan it.
| Characteristics | Values |
|---|---|
| Purpose | To control the distribution of sound across the left and right channels of an audio track |
| Use case | Creating a sense of movement or directionality in audio or focusing the listener's attention on a specific element |
| Software | Premiere Pro |
| Track types | Mono, stereo, 5.1 surround |
| Track output | By default, all audio tracks output to the sequence master audio track, but you can also create submix tracks |
| Panning controls | L and R |
| Panning process | Click Track:Volume > Panner > Balance or Panner > Pan |
| Balancing | Available when outputting a stereo track to a stereo or 5.1 surround track |
| Downmixing | Premiere Pro downmixes audio to the number of channels in the output track when it contains fewer channels than other audio tracks |
| Master track | The master audio track is the default output track, but a sequence can also include submix tracks |
| Submix tracks | Can be an output destination for other audio tracks and an audio source for the master track |
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What You'll Learn

Using the Audio Mixer
The Audio Track Mixer in Premiere Pro is a powerful tool for editing audio and creating professional-sounding projects. It allows you to control and adjust multiple audio tracks simultaneously, each corresponding to a track in the timeline of the active sequence.
To access the Audio Track Mixer, go to "Windows > Audio Track Mixer" to open the Audio workspace. Here are some key functionalities of the Audio Track Mixer:
Track Panner
The Track Panner allows you to control the balance of audio between the left and right sides of your speakers or headphones. This is useful for creating immersive experiences, such as panning the sound to the right if an object is moving across the frame from left to right. The Track Panner is also responsive to automation modes, allowing you to record the movement of the panner in real time.
Mute, Solo, and Record Functions
The Mute, Solo, and Record functions, abbreviated as M, S, and R, allow you to control and focus on different audio elements. Mutes (M) silence the selected track while playing audio from other tracks. Solo (S) plays audio only from the selected track, muting all others. Record (R) records audio directly from a microphone into Premiere Pro.
Submix Tracks
Submix tracks combine audio signals from specific tracks. You can create submix tracks by right-clicking in the timeline panel next to the track targets and selecting "Add Tracks." You can then name and assign tracks to the submix. This allows you to make adjustments to multiple tracks simultaneously.
Effects
You can apply and combine various audio effects like EQ, reverb, and compression to entire tracks. Effects can be stacked and rearranged using drag and drop, or by copying and pasting between tracks. Effects can also be automated to adjust themselves over time.
Loudness Radar
The Loudness Radar, found in the Effects dropdown of the Master track, helps you measure the loudness of a sequence. You can adjust the target loudness and radar speed according to your needs.
The Audio Track Mixer in Premiere Pro offers a range of tools to fine-tune your audio and create a polished, professional-sounding project. Experiment with its features to enhance the audio experience of your video projects.
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Mono and stereo tracks
When working with mono or stereo audio in Premiere, it is important to understand the difference between the two. Mono audio is heard out of both ears evenly, with the same audio coming out of the left and right speakers. In a stereo track, the audio coming out of the left speaker is slightly different from the audio coming out of the right speaker.
To work with mono or stereo audio in Premiere, you can start by navigating to your project panel. Find your audio file in the project panel and right-click on it. Select "Modify Audio Channels" or "Audio Channels" to adjust the settings. You can then choose between mono and stereo options.
If you are working with a stereo audio clip, you will see two waveforms, indicating that different audio will come out of the left and right speakers. When playing back a stereo audio clip, you will notice that the left and right sides of the audio meters bounce at different levels.
If you are working with a mono track, you can split it into two mono tracks and assign each track to a channel. This will allow you to mix the left and right channels independently. You can also specify in the preferences that you always import stereo as dual mono.
By understanding the difference between mono and stereo audio and knowing how to adjust the settings in Premiere, you can achieve more precise and professional sound design in your projects.
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Panning controls
To access the panning controls, open your project in Premiere Pro and locate the audio track you want to work with in your timeline. You will see two key elements labelled 'L' and 'R', representing the left and right channels. By default, your audio is set to control the volume levels.
To start panning your audio, click "Track: Volume" at the top left of the track and then choose "Panner > Balance" or "Panner > Pan" from the menu. For 5.1 surround audio, choose the dimension you want to edit from the Panner menu.
If you want to adjust the pan or balance effect over time, move the current-time indicator and click the "Add/Remove Keyframe" icon. Use the Selection tool or the Pen tool to adjust the level. Repeat these steps as necessary if you are adjusting the pan or balance effect over time.
Additionally, Premiere Pro automatically assigns channels to a multichannel Master track as you create additional tracks. You can change these assignments by clicking the "Direct Output Assignment" button and selecting one of the channels in the Master track as the destination.
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Submix tracks
A submix is an audio track that combines audio signals and tracks and routes them to the master track. Submixes can be mono, stereo, or 5.1 surround. They are useful when you want to apply the same audio or effect settings to multiple audio tracks simultaneously.
To create a submix, first, make sure to organize your audio tracks well. Premiere's Essential Sound panel allows you to group your audio tracks as Dialogue, Music, Sound Effects, or Ambiance. Once you are happy with your tracks, you can reduce them to submixes. To do this, go to the "Choose Sequence" menu, then scroll down to “Add Tracks”. Here, you can specify the tracks you want to be mixed down to each submix, as well as the type of submix (mono, stereo, or 5.1 surround).
In the Audio Track Mixer, select the submix name from the track output menu at the bottom of the track. Each track contains five sends, located in the Effects and Sends panel in the Audio Track Mixer. Sends are used to route a track's signal to a submix track for effects processing. The submix can then return the processed signal to the mix by routing it to the Mix track, or it can route the signal to another submix.
To apply an effect, click on the Show/Hide Effects and Sends triangle at the top of the Audio Track Mixer panel. For example, you could add a Pitch Shifter effect to your submix track. Submixes are easier on your computer's processor as they allow you to apply one instance of an effect instead of multiple instances.
You can also route the complete track signal to a submix track by using the Track Output Assignment menu at the bottom of each track in the Audio Track Mixer. The output signal contains all properties specified for that track, including automation, effects, pan/balance, solo/mute, and fader settings.
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Balancing audio
Organise Your Audio Tracks
Firstly, ensure that you have clearly labelled and organised audio tracks. In Premiere Pro, you can rename your audio tracks by right-clicking on them and selecting "Rename." This helps you easily identify the different audio elements of your project.
Adjust Audio Gain
The Audio Gain feature in Premiere Pro allows you to normalise audio levels across multiple clips. This process equalises the volume of your audio clips, ensuring a consistent sound throughout your project. To access the Audio Gain settings, press the default key "G" on your keyboard. When the pop-up window appears, you can see how many decibels were added to the audio track beside "Set Gain to."
Use the Audio Mixer
The Audio Mixer in Premiere Pro provides controls for panning and balancing your audio tracks. Depending on the type of output track, you will see either a round knob or a square tray. For a stereo track output, rotate the knob to balance the audio between the left and right output track channels. If you're working with a 5.1 surround track, use the square tray to slide a puck and balance the audio among the five speakers.
Apply Compression and EQ
Compression is a technique used to turn down the loudest parts of your audio and boost the quieter sections. You can set a decibel threshold and a ratio to determine how much the audio should be turned down above a certain decibel level. Additionally, you can use EQ (equalizer) to enhance vocal frequencies and repair issues like background noise, echo, and reverb.
Use a Multiband Compressor
If you want more precise control over your audio, consider using a multiband compressor in the Track Mixer panel. Set it to the “broadcast” preset to automatically adjust the audio levels.
By following these steps and experimenting with the various audio tools in Premiere Pro, you can effectively balance your audio tracks and create a cohesive and professional-sounding final product.
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Frequently asked questions
Audio panning in Premiere Pro allows you to control the distribution of sound across the left and right channels of your audio track. This can be used to create a sense of movement or directionality in your audio or to focus the listener’s attention on a specific element.
First, open your project in Premiere Pro and locate the audio track you want to pan. In your timeline, find the audio track and access the panning controls. You'll notice two key elements labelled 'L' and 'R', representing the left and right channels. By default, your audio is set to control the volume levels. Click Track:Volume at the top left of the track and then choose Panner > Balance or Panner > Pan from the menu.
Yes, you can pan multiple clips at once by selecting all the clips in the Project panel that you want to modify. Then, control-click one of the selected clips and repeat the process for panning a single clip.











































