Tillie Doyle
Pan pastels are a soft, highly pigmented pastel that comes in a pan form. They are not oil-based but have a chalk-like feel. Pan pastels can be applied to a variety of surfaces, including paper, wood, canvas, and leather. When using pan pastels on leather, it is recommended to use a workable fixative to seal the layer and prevent smudging. The process of using pan pastels on leather involves lifting the colour with a Sofft tool or sponge, applying it to the surface, and blending it with fingers, blending tools, or brushes. Artists can also create interesting textures by mixing pan pastels with water and using reservoir brushes for a lighter effect.
Characteristics and Values Table for Using Pan Pastel on Leather
| Characteristics | Values |
|---|---|
| Type of pastel | Soft, highly pigmented pastel with a chalk-like feel |
| Application | Use a Sofft Tool or sponge to lift the color from the pan and apply it to the leather surface |
| Blending | Use fingers, blending tools, or brushes to blend the pastel on the leather |
| Fixative | Use a workable fixative to seal the layer and prevent smudging; apply in light layers to avoid darkening the pastel color |
| Varnish | Use varnish or sealant for UV protection and to fully seal the work; cannot add additional layers once varnish is applied |
| Paper type | Sanded paper is recommended for better adhesion of the pastel |
| Detail work | Use pastel pencils or higher wax content pencils for finer details |
| Textures | Pan pastels can create interesting textures, especially when used with water |
| Erasability | Pan pastels can be easily erased or lightened with an eraser, depending on the type of paper |
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What You'll Learn
Choosing the right paper
One of the most recommended papers for pan pastels is sanded paper. Its textured surface, often referred to as "tooth," provides a good grip for the pan pastels, allowing them to stick and blend seamlessly. Among sanded papers, LuxArchival stands out as it is archival and acid-free on both sides. This feature is essential because the acidity of the paper's back side can eventually affect the front, compromising the integrity of your artwork over time.
Canson Mi-Teintes is another suitable option for pan pastels, although artists often prefer sanded paper for its superior adhesion. When using sanded paper, consider using coloured pencils over the pan pastels, as they can create a look almost identical to soft pastels while offering finer details. Polychromos pencils are a popular choice for softer blending.
The type of paper you choose can also impact the erasability of your pan pastels. While pan pastels can be easily erased or lightened on most papers, certain papers may offer more resistance to erasure. Additionally, the paper's texture can influence the formation of interesting textures in your artwork. For instance, using a brush to apply pan pastels directly to a wet wash can create beautiful speckle-like textures that remain visible once dry.
Lastly, remember that fixatives play a crucial role in preserving your pan pastel artwork. Many fixatives tend to darken pastel colours, so a light application of SpectraFix or a similar product is recommended. Alternatively, you can use a workable fixative, a quick-drying spray that allows you to add additional layers of pan pastels or other mediums. However, once your artwork is sealed with varnish or another sealant, you won't be able to add further layers.
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Using fixatives
To avoid discolouration, it is recommended to use SpectraFix, which does not alter the colour as dramatically as other fixatives, as long as it is applied in very light layers. You can use a fine mist sprayer to ensure that you do not get heavy droplets on your artwork. Alternatively, you can use a mister (similar to those used in salons) to dispense the fixative in a fine, continuous mist. However, some users have still experienced droplets forming on their artwork, even when using a mister.
If you are using non-sanded paper, it is recommended to use a fixative, as the smooth surface of the paper can make smudging worse. You can either spray SpectraFix between layers or apply a couple of layers of a fixative like Daler Rowney Perfix at the end.
When using fixatives, it is important to spray in light layers, building up as needed, rather than spraying one heavy layer. Always ensure that you are spraying in a well-ventilated area, and hold the can at least 12 inches or 30 centimetres away from the artwork.
It is also worth noting that workable fixative is different from varnish. Workable fixative allows you to continue adding layers to your artwork, while varnish will seal your work and prevent you from making any changes. If UV protection is a concern, you will need to use a varnish or other sealant in addition to the fixative.
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Blending colours
When blending colours, you can mix them directly on the pan surface or on your working surface. If you are using more than one colour, it is important to "'clean'" your tools between colours by wiping them on a dry paper towel. You can also use a knife or cover to wipe the tool side to side, so the paper towel doesn't drag the cover off.
If you are blending pan pastels with other media, such as soft pastel, watercolour, coloured pencils, or graphite, you may need to use a fixative to help the colours adhere to the surface and prevent smudging. Workable fixative is a quick-drying spray that can be used between layers, but it should be used in a well-ventilated area. You can also use a varnish or other sealant to protect your work from UV damage, but this will prevent you from adding any additional layers once it has been applied.
When blending colours on leather, you may want to consider the texture and absorbency of the surface, as this may affect the way the colours blend and the final result. You may also need to use a different type of fixative or sealant that is suitable for use on leather.
Overall, blending colours with pan pastels is a versatile process that can be done in a variety of ways, depending on the desired effect and the surface you are working on.
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Using the correct tools
Sofft Tools: Pan pastels are designed to be used with Sofft Tools, a range of micro-pore sponges that make working with pan pastels similar to painting. These sponges allow you to lift the colour from the pan and apply it to your leather surface smoothly. Remember to swipe the pan's surface gently to avoid generating excess dust, and clean your Sofft Tools between colours by wiping them on a dry paper towel.
Workable Fixative: To prevent smudging and protect your work, use a workable fixative as you apply your pan pastels. Workable fixatives come in spray form and dry quickly, sealing the layer of colour. They help prevent smearing and allow you to build up additional layers of pan pastels or other mediums on top. However, note that workable fixatives are different from varnishes and may not provide the same level of UV protection for your artwork.
Paper Selection: When working with pan pastels on leather, consider the type of paper you use for your project. Sanded paper, such as LuxArchival, is recommended as it provides a good surface for the pastels to stick to. Additionally, the back of the paper matters as it can affect the front where your art is; choose acid-free paper to avoid any potential issues.
Blending Tools: Pan pastels offer excellent blending capabilities. You can blend colours directly on the pans, on a separate piece of paper, or directly on your leather surface. Use your fingers, blending tools, or soft brushes specifically designed for pastel blending to create smooth transitions and gradients.
Detail Work: If you're working with small details, consider working on a larger scale to make it easier to capture intricate elements. For finer details, pastel pencils can be used in combination with pan pastels. These pencils are watersoluble and can help you achieve fine lines and precise marks.
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Erasing and lightening
Testing and Preparation:
Before attempting to erase or lighten Pan Pastel on leather, it is crucial to perform a small patch test on an inconspicuous area of the leather item. This precaution ensures that the chosen method aligns with your desired artistic outcome and helps prevent any unintended consequences. Additionally, always wear gloves during the process to protect your hands.
Natural Lightening Methods:
If you're aiming for an eco-friendly and budget-friendly approach, consider employing natural lightening techniques. For instance, you can try using natural bleaching agents like lemon juice or baking soda. Alternatively, you can explore historical methods such as those used in ancient Egypt, where artisans soaked hides in a mixture of water and natural bleaching agents derived from local plants. This technique not only lightens but also preserves the leather.
Chemical Lightening Methods:
For more intensive lightening, you can opt for chemical treatments. One option is to use a deglaze solution, which can effectively lighten leather. Another method is to apply chemical solutions like bleach directly to the leather to remove the pigment and achieve lighter hues. However, always choose leather-safe lightening agents to avoid damaging the material.
Sun Bleaching:
Sun bleaching is a traditional method that has been used for centuries to lighten leather. Simply exposing your leather item to sunlight can yield lighter shades, often enhancing the natural grain and softness of the material. This approach adds depth and dimension, providing a unique canvas for further artistic embellishments.
Moisturizing and Protection:
After successfully lightening the Pan Pastel on leather, it is essential to moisturize and condition the leather to maintain its texture, durability, and appearance. Additionally, shield the lightened leather from excessive sunlight and water exposure to prevent discoloration or damage.
Remember, Pan Pastels are highly pigmented and can be challenging to erase or lighten, so always start with a gentle approach and gradually increase as needed.
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Frequently asked questions
Pan pastels are designed to be used with Sofft tools, a special range of micro-pore sponges. You can also use brushes, including reservoir brushes, to apply pan pastels to leather.
Swipe the Sofft tool over the pan surface 1-2 times to lift the colour. Apply it like paint to your leather surface. Reload the tool with colour as required.
Use a workable fixative to seal the layer. Workable fixative is a quick-drying spray that should be used in a well-ventilated area.
