Ella Walter
Panning reverb in FL Studio is a topic that has been widely discussed on forums and community chats. While there are no strict rules, panning reverb can create a big space for your music, giving it a more open and unobtrusive feel. The general consensus is to bus the track you want to add reverb to and then use the pan knob on the new reverb track. This can be done using a mono or stereo track, depending on your preference and the specific needs of your project.
| Characteristics | Values |
|---|---|
| Use case | To widen sounds and minimal actual reverb |
| Technique | Use ozone stereo imager |
| Technique | Use two reverbs with different settings panned hard left and right |
| Technique | Use a mono Aux track instead of a stereo one |
| Technique | Use a stereo group track |
| Technique | Use "send to track" or "sidechain to this track" |
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What You'll Learn
Using two reverbs with different settings
To start, bus the track you want to apply reverb to and use the pan on the new reverb track. You can use the knob in the bottom right corner to widen sounds and create minimal actual reverb. Using an ozone stereo imager can also help, and it should be used in a separate mixer track from the original sounds mixer track.
When using two reverbs, it's crucial to balance their levels to maintain clarity in your mix. Set the reverb send levels for each track, ensuring the reverb complements the sound without overwhelming it. Use high-pass filters to cut out low frequencies that can muddy your mix. Remember, less is often more when it comes to reverb; you want to give your track space to breathe without drowning it in effects.
Automation is a powerful tool that lets you adjust the intensity of reverb and delay throughout your track, keeping your music dynamic and engaging. It allows your effects to evolve with the music, enhancing the emotional impact. Combining reverb and delay can create magical results, but it's essential to find the right balance. A touch of reverb can add depth, but too much can make your vocals sound like they're drowning in an echo chamber.
Experiment with different reverb types, such as short plate or convolution reverb, to find the right fit for your track. Don't be afraid to try new things and incorporate creative techniques to make your music stand out.
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Panning the reverb left or right
Panning reverb left or right can be done in a few different ways. One common method is to use two mono reverbs with different settings, panned hard left and hard right, creating a super-wide stereo image. This technique can be used to make the reverb very open while keeping the vocal centred and clear.
Another approach is to use a mono panned reverb on live recordings, which can create the impression of a large and warm space, while leaving the instrument clean and defined. This method is often used for slow, smooth songs, with the reverb panned around 35-40% left or right. For more extreme panning, a stereo reverb is recommended.
Additionally, panning the reverb in the opposite direction to the instrument or snare can create a "big space" effect. However, there are no rules when it comes to panning reverb, and it is recommended to experiment and use what sounds best in the context of the song.
To achieve this in FL Studio, one suggestion is to bus the track you want to apply reverb to and use the pan knob on the new reverb track. This can be found in the bottom right-hand corner.
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Using a mono or stereo track
When using a mono or stereo track, there are a few ways to approach panning reverb in FL Studio. Firstly, it's important to note that there are no strict rules when it comes to panning reverb, and you should use your ears and experiment to find what sounds best in the context of your song. That being said, here are some techniques to try:
Mono Track
If you are using a mono track, you can create a stereo effect by using two reverbs with the same settings, panned hard left and hard right. This will give the impression of a large and warm space while keeping the instrument clean and defined. You can also experiment with panning the dry instrument to one side and the mono reverb to the other, allowing for individual control of the levels of both the dry and wet signals. This technique can help create a ""big space" and leave more room for mono sounds like kick/snare and vocals.
Stereo Track
When using a stereo track, you can apply reverb in stereo, creating a sense of space and depth. However, you are not limited to stereo reverb; you can also experiment with mono reverb on a stereo track. This can be done by sending signals from both stereo and mono tracks to a stereo reverb, allowing the mono source to be positioned in real space with characteristic reflections, creating spatial effects and cues as they would in real life.
Ozone Stereo Imager
Another tool you can use is the ozone stereo imager. Create a separate mixer track from the original sounds mixer track and use the ozone stereo imager to widen sounds and create a sense of space. This technique can be used in conjunction with the above methods to enhance the stereo effect.
Remember, these are just a few techniques to try. The most important thing is to experiment and find what works best for your particular track.
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Using a bus track
To pan reverb in FL Studio, you can use a bus track. This method allows you to apply reverb to multiple tracks at once, enhancing your workflow and keeping your mix clean and organised. Here's a step-by-step guide on how to use a bus track to pan reverb:
- Create a bus track: Choose an unused track in FL Studio and name it appropriately, for example, "REVERB".
- Select your source track: Click on the track you want to apply reverb to.
- Route the source track to the bus track: Click the triangle at the bottom of the bus track while your source track is selected. This creates a connection between the two tracks, and you will see a digital cable routed from the source track to the bus track and the master bus.
- Control the signal amount: Use the knob that appears to adjust how much signal is sent to the bus track.
- Set up the effect plugin: On the bus track, load a reverb plugin. Ensure that the plugin is set to 100% wet and 0% dry to avoid hearing the dry signal on the bus track.
- Adjust the reverb level: Use the channel fader on the bus track to control the amount of reverb applied to the source track.
- Fine-tune with EQ and other effects: If desired, you can further process the reverb by adding EQ or other effects to the bus track. This allows you to shape the sound of the reverb independently from the source audio.
- Create a submix (optional): If you want to process multiple source tracks together, you can create a submix. Right-click on the triangle above the knob and choose "Route to this track only." This will route the output of your source tracks to the bus track for processing.
- Automate and experiment: Bus automation gives you even more control. You can automate volume or effects on the bus track to create dynamic changes for multiple source tracks simultaneously. Experiment with different routing setups to find what works best for your workflow and creative vision.
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Using the ozone stereo imager
Ozone Imager is a free stereo imaging plugin by iZotope that can be used to adjust the stereo image with simple controls, stunning and immersive visuals, and incredible sound. It is included in any version of Ozone and is also available as a standalone free download. It is compatible with FL Studio and can be used to enhance your music and post-production work.
Ozone Imager provides a range of features and benefits for stereo imaging. Firstly, it offers control over the width of any track, allowing you to create super-wide sounds or narrow, mono-like sources. You can easily widen or narrow your sounds to fit them into any mix. For example, you can make your pianos, synths, and cymbals fill up the stereo image, or you can tighten up your low end by narrowing bass and kick drums.
The plugin also includes a Stereoize mode, which provides two options: Stereoize II for subtle enhancement and Stereoize I for a colourful phasing effect. This mode allows you to turn mono into stereo without the need for reverb or doubling. Additionally, the imager can help with phasing issues and provides a handy visual representation of your sound, showing areas where it may be "spilling" into other frequencies.
When using the Ozone Imager, it is recommended to do your imaging before adding reverb. This means getting your imaging correct without reverb first and then adding reverb afterward. Checking the mix in mono can also help with getting your imaging and reverb right. Keep in mind that while the Ozone Imager is a powerful tool, it should be used in conjunction with other techniques for creating a sense of space in your mix, such as arrangement, priority, panning, and reverb. Additionally, using low pass filters or shelving to roll off high frequencies can help to create depth and add width to your mix.
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Frequently asked questions
Most people seem to set up the send as "send to track" and in Reverb2 turn dry right down. The other method is "sidechain to this track", which means you don't need to turn dry down to 0% as it's not receiving the actual audio onto the send, just the information.
Bus the track you want reverb for and use the pan on the new reverb track. The knob is on the bottom right-hand corner.
Create two mono FX tracks with the same reverb and change every parameter just a bit, especially reverb time, predelay, density, etc. Then, pan them hard left and hard right. Now, create a stereo group track and send the two mono reverbs to the stereo group.
You can use two reverbs for the same source with different settings, panned hard left and right, which can widen the track and leave more room for mono sounds like vocals.
Generally, reverbs are not panned, but delays can be. However, there are no rules for this, and you should do what sounds best to you.
