Tiffany Haney
Ping pong delay is an audio effect that can be created using Logic's Stereo Delay plugin. This effect is achieved by setting the same feedback time on both left and right channels, but with one channel delayed slightly compared to the other. The challenge lies in balancing the two taps, as a ping pong delay has a single feedback time. To address this, one channel, known as the Pong channel, is set to zero feedback, resulting in a single repeat. Meanwhile, the Ping channel is set to 50% crossfeed, allowing control over the number of repeats. By adjusting the delay time settings, users can create an even bouncing effect between speakers, making it a versatile tool for various musical genres, especially dub reggae.
| Characteristics | Values |
|---|---|
| Feedback time | Same for both taps |
| Channels | One must be later than the other |
| Feedback setting | Set to zero on one channel |
| Crossfeed | Set to 50% on the other channel |
| Crossfeed level | Controls the level of the Pong channel |
| Input setting | L + R |
| Tremolo | Put on the bus after Echo |
| Time dial | Move to the left |
| Autopan | Can be tweaked to be smoother or harder |
| Input Balance slider | Move the stereo center of the Delay input to the left or right |
| Delay Time slider and field | Set the delay time |
| Sync button | Set either tempo-synced or free-running delay modes |
| Output Width slider | Change the stereo or surround base of the wet signal |
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What You'll Learn
Using the Logic Stereo delay as a Ping Pong delay
To use the Logic Stereo delay as a Ping Pong delay, you must have the same feedback time on both left and right channels, but one channel must be later than the other to get the Ping Pong effect. This is because a Ping Pong delay has a single feedback time for both taps, while the Logic Stereo delay has two.
To achieve this, set the feedback on one of the channels, known as the "Pong channel", to zero, which will produce a single repeat. Then, set the crossfeed on the other channel, known as the "Ping channel", to 50%. Now, you will have one feedback time for both taps. The feedback setting on the Ping channel will control the number of repeats.
The Pong channel delay time will be the Ping channel delay time plus its own delay time setting. Therefore, you want the Pong channel delay time to be less than that of the Ping channel, so that it occurs before the next Ping channel repeat. Setting the Pong channel delay time to half that of the Ping channel will result in an even bounce between the speakers. Other ratios, such as 0.75, can also be used.
Additionally, consider the input setting, with L + R being the most common choice. The Crossfeed level will control the level of the Pong channel, and typically, you will want both channels to be at the same volume, which can be achieved by setting the Crossfeed level to 50%.
The Logic Stereo delay has a great stereo ping pong effect in sync, making it excellent for dub reggae. It also has an auto-pan effect that can be synced to the tempo.
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Setting the feedback time for both taps
To set up the Ping Pong delay in Logic Pro, you'll need to use the Stereo Delay plugin, which is specifically designed to create delay effects that vary between the left and right channels. The key to achieving the Ping Pong effect is to have the same feedback time on both channels, but with one channel delayed slightly to create the desired effect.
Here's a step-by-step guide to setting the feedback time for both taps:
- Set the feedback on one channel, let's call it the "Pong channel," to zero. This will result in a single repeat on that channel.
- Next, adjust the crossfeed on the other channel, known as the "Ping channel," to 50%. This ensures that both channels have the same feedback time.
- The feedback setting on the Ping channel, which has the crossfeed, will now control the number of repeats. You can adjust this setting to your desired level of repeats.
- To fine-tune the Ping Pong effect, adjust the delay time setting of the Pong channel. You want this setting to be less than that of the Ping channel, ensuring that the Pong channel's delay occurs before the next repeat on the Ping channel.
- Experiment with different ratios for the Pong channel's delay time relative to the Ping channel. A ratio of 0.5 or 0.75 for the Pong channel's delay time can create an even bouncing effect between the speakers.
- Consider the input setting as well. In most cases, the L + R setting is recommended to maintain consistent volume levels between the channels.
- Adjust the Crossfeed level to control the volume of the Pong channel. Typically, setting it to 50% will result in both channels playing at the same volume.
By following these steps, you can effectively set the feedback time for both taps to create a Ping Pong delay effect in Logic Pro. This technique adds interest and movement to your audio, enhancing the stereo image and creating a unique listening experience.
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Controlling the number of repeats
To control the number of repeats in a Ping Pong Pan in Logic, you must first understand the relationship between the two channels involved in creating the Ping Pong effect: the Ping channel and the Pong channel. The Ping channel is the one with the crossfeed set to 50%, while the Pong channel has its feedback set to zero, producing a single repeat.
The key to controlling the number of repeats lies in adjusting the feedback setting on the Ping channel. By modifying this setting, you can directly influence the number of repeats generated. It is important to note that the PingPong delay has a single feedback time for both taps, which can be challenging to balance due to the presence of two taps.
To achieve the Ping Pong effect, ensure that both channels have the same feedback time, but one channel should be delayed slightly compared to the other. This delay time difference between the Ping and Pong channels is crucial for creating the desired effect.
When adjusting the feedback setting on the Ping channel, consider the desired number of repeats and fine-tune the setting accordingly. Keep in mind that the Pong channel's delay time will be the sum of the Ping channel's delay time and its own delay time setting. Therefore, set the Pong channel's delay time to be shorter than that of the Ping channel to ensure that it occurs before the next Ping channel repeat.
Additionally, you can experiment with different ratios for the Pong channel delay time relative to the Ping channel. For example, setting the Pong channel delay time to half or 0.75 of the Ping channel can create an even bouncing effect between the speakers. These ratios can be adjusted based on your specific requirements and the desired audio output.
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Setting the Pong channel delay time
To set the Pong channel delay time, you must first ensure that the feedback time is the same on both the left and right channels. This is done by using the Crossfeed knob to set the feedback intensity level of each signal being routed to the opposite stereo side. The feedback time on the Ping channel will control the number of repeats.
The Pong channel delay time is the Ping channel delay time plus its own delay time setting. To achieve a Ping Pong effect, the Pong channel delay time should be set to less than that of the Ping channel so that it occurs before the next Ping channel repeat. Setting the Pong channel delay time to half that of the Ping channel will result in an even bounce between the speakers. Other ratios, such as 0.75, can also be used.
The Delay Time knob and field can be used to set the delay time in milliseconds or in note values when synchronized with the project tempo. The 2 and x 2 buttons can be used to halve or double the current delay time, respectively. The Note pop-up menu or Sync Time knob can be used to set note values when the Beat Sync button is active.
Additionally, the Low/High Cut slider and field can be used to cut frequencies below the Low Cut value and above the High Cut value from the effect signal. The Feedback knob and field allow you to set the amount of feedback for the left and right delay signals, which will affect the level of repetition in your original signal.
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Using Modley for auto-panning and ping-pong delay effects
Modley is a great option for creating auto-panning and ping-pong delay effects. It is a straightforward and swift method for setting up these effects, making it a favourite among users.
To understand how Modley achieves these effects, it is essential to comprehend the fundamentals of ping-pong delay and auto-panning. Ping-pong delay creates a syncopated rhythm that bounces from left to right, adding a spatial element to the track. This effect is challenging to balance because it involves alternating delayed signals between channels rather than true panning. To create a ping-pong delay, you must ensure the same feedback time on both left and right channels, but one channel must be delayed compared to the other.
Auto-panning, on the other hand, continuously pans the audio across the stereo field, making it more suitable for long-duration sounds. It acts as an amplitude modulator, allowing for various tricks like adding randomness or creating trance gate effects.
With Modley, you can easily set up these effects. It is compatible with Mac, although some users have reported memory issues on iPads. When using Modley, ensure your settings are configured correctly for the desired effect. For instance, setting the Pong channel delay time to half of the Ping channel's delay time in a ping-pong delay will result in an even bounce between speakers.
In addition to Modley, there are alternative options for achieving similar effects. Logic Pro offers a straightforward auto-pan feature and a stereo delay plugin with an excellent stereo ping-pong effect. Dubstation2 and its Dub Siren feature are also popular choices for creating stereo delay-echo effects.
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Frequently asked questions
Ping pong delay is a stereo effect in Logic that can be used to create a bouncing or ping pong effect between speakers.
To set up a ping pong pan in Logic, you can use the Logic Stereo delay plugin. Set the same feedback time on both left and right channels, but set one channel later than the other to achieve the ping pong effect.
Ensure that the input setting is set to L + R. Set the Crossfeed level to 50% to ensure that both channels are at the same volume. You can also try setting the Pong channel delay time to half that of the Ping channel for an even bounce between speakers.
