Tiffany Haney
Valhalla DSP offers a range of reverb and delay plugins, including the popular Valhalla Shimmer, which is a reverb with a pitch shifter in the feedback path. Valhalla plugins are known for their unique and usable sounds, often taking inspiration from hardware verbs while creating their own proprietary algorithms. Users can pan the sends of the reverb plugin to the left or right as desired. To achieve a stereo effect, the pan mode of the reverb buss may need to be adjusted.
| Characteristics | Values |
|---|---|
| Panning Valhalla effects | Use pre-fx send from guitar tracks to reverb bus, pan the sends as you like |
| How to pan reverb opposite side to guitar | Use a utility plugin before the reverb and use the swap left and right feature |
| How to pan sends | On the send parameters pop-up, there is a pan control |
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What You'll Learn
Use pre-fx send from guitar tracks to reverb bus
When working with varied instruments that you want to share the same reverb, you can use a send from each track to a bus, and that bus would go to a track that holds the reverb. For instance, if you want to send all of your guitar overdubs through the same aux track to apply uniform compression, set all of their sends to that aux track. This can be done by using pre-fx send from guitar tracks to a reverb bus.
The "send and return" approach carries a ton of benefits. The key benefit of "aux returns" or "fx returns" is that a single return can be used by multiple tracks at once. They're an ideal choice for effects used frequently in a mix, such as reverb and delay. You can also experiment with stacking multiple reverbs to achieve a sound not naturally found. Sending a track to a bus also opens up the option for parallel processing, most often used for drums and vocals.
However, as with any approach, there are pitfalls. For example, running 15 to 20 instances of the same reverb plugin can be taxing on your system's memory and CPU load. While this isn't an issue for people with fast computers, it can be crucial for those mixing on laptops or slower systems.
To use an aux send, select the corresponding aux output in the send section of the instrument track. A new fader will appear, which you will use to assign the signal level you want to send to the auxiliary track. You can also use pre-delay before a reverb that doesn't have a pre-delay built-in.
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Pan the sends as you like
To pan the sends as you like, you can use pre-fx send from guitar tracks to a reverb bus. This allows you to pan the sends as desired. Alternatively, you can simply swap left and right on the reverb bus. If you are using a mono track, you can bus it to a stereo auxiliary and then pull the pan pots into the centre.
Another method is to use a pan plugin to take a single channel. However, this method may cause the plugin to crash in mono, so the track must be routed to a bus to apply reverb before other plugins.
Additionally, you can create separate buss tracks for each guitar with the verb and pan the verb accordingly. This results in two guitar tracks and two verb tracks.
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Swap left and right on the reverb bus
To pan Valhalla effects, you can use a reverb bus and swap left and right. This is a common technique used when you have a guitar panned to the left and another guitar panned to the right, and you want to swap the reverb for each.
To do this, you can use the pan control on the send parameters pop-up. You may need to change the pan mode of your reverb bus to stereo or dual for this to work, as the default stereo balance will only change the volume of the left and right channels.
Another option is to send each guitar to its own bus track with the verb and pan the verb. This means you will have two guitar tracks and two verb tracks. Alternatively, you can use a utility plugin before the reverb and use the swap left and right feature. Dead Duck has one in their free bundle if your DAW doesn't include one.
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Use a second reverb bus for everything else
When panning reverb to the opposite side of a guitar in Valhallaverb, it is recommended to use a second reverb bus for everything else. This technique allows for greater control and flexibility in the mixing process.
To implement this, you can start by creating a separate bus track specifically for the reverb effect. Route all the elements that you want to apply the reverb to this bus. This could include instruments, vocals, or any other audio sources that require the same reverb treatment. By doing this, you isolate the reverb effect to a dedicated track, making it easier to manage and adjust.
The second reverb bus serves as a central hub for applying consistent reverb settings across multiple elements in your mix. This helps maintain a cohesive sound and ensures that the reverb characteristics are uniform for all the elements routed through it. This approach is particularly useful when you want to create a sense of space and depth in your mix, as everything passing through this bus will be affected by the same reverb algorithm and parameters.
Additionally, using a second reverb bus provides the advantage of being able to process the reverb independently from the dry signals. This means you can apply equalization, compression, or other effects specifically to the reverb, allowing for more creative possibilities and a finer level of control over the overall sound.
By utilizing a second reverb bus for everything else, you not only streamline your workflow but also enhance the clarity and cohesion of your mix. This technique is a powerful tool in creating immersive and spatially aware productions, allowing you to shape the soundstage and provide a sense of depth and dimension to your audio projects.
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Change the pan mode of your reverb bus to stereo or dual
To pan Valhalla effects, you might have to change the pan mode of your reverb bus to stereo or dual. This is because the default mode is stereo balance, which only changes the volume of the left and right channels. Changing the pan mode to stereo or dual will allow you to adjust the panning of the sends.
To do this, you can follow these steps:
- Set up two reverb tracks, panned left and right.
- Set up two separate sends from a mono track, one to each reverb track.
- Adjust the panning position of the reverb-to-master return by balancing the send levels from the mono tracks to the reverb tracks.
It is important to note that there are some limitations to using mono reverb effects. For example, if you pan a track to the left and send it to a reverb, the reverb may only accept a mono input and spread its effect evenly from left to right, regardless of the dry track's image position. This can be addressed by using a stereo reverb or a dual mono setup.
A dual mono setup involves using two separate mono reverb tracks, one for each side of the stereo image. This allows you to preserve the panning of the original track while still having separate control over the reverb for each side. However, it can sound less natural than a true stereo reverb.
In summary, changing the pan mode of your reverb bus to stereo or dual can provide more flexibility in panning the sends. This can be achieved by setting up two reverb tracks and adjusting the send levels accordingly. Additionally, consider the trade-offs between using mono and stereo reverb effects to achieve the desired sound.
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Frequently asked questions
You can pan the sends by using the send parameters pop-up, which has a pan control. You may have to change the pan mode of your reverb bus to stereo or dual for this to work. Alternatively, you can use a pre-fx send from the guitar tracks to the reverb bus and pan the sends as you like.
Some of the Valhalla reverb modes include VintageVerb, Roland SRV, and SPX90-style. While some modes are inspired by hardware verbs, others are meant to be close to the original units.
Valhalla Shimmer is a reverb with a pitch shifter in the feedback path. It is used to create a shimmery texture, particularly on pads, and is suited for ambient-style music.
